Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Scott Matthews - Passing Stranger
Album Review

Scott Matthews – Passing Stranger

Not enough stock these days is placed in producers, which is frankly criminal.

A producer’s credentials are everything and when an artist is featured on an EP which boasts a contribution from the man who produced Radiohead’s ‘The Bends’ it’s a fact impossible to ignore.

Scott Matthews ‘mini-disc’ was recorded with the John Leckie sting quartet. It’s not up to the standards of the Kronos String Quarter (a personal favourite – see Requiem for a Dream) but it’s compelling stuff.

Leckie, amid his other achievements has given us XTC, a band which is so criminally underrated as to warrant an immediate musical war crimes tribunal!!

As for Matthews himself the compositions are haunting, but unfortunately so vague as to lack direction,

The strings and guitar work well, but you’re left scratching your head a little, and wondering ‘what the hell is he on about?’

This is as much down to the articulation of Matthews’ vocals as anything else.

You get the feeling that he’s forgotten the audience in the moment of working with as prestigious a talent as Leckie’s.

It’s not all bad news though – ‘City Headache’, while Thom Yorkesque (and not so far removed from ‘Eleanor Rigby’ in its leanings) is nonetheless a touching and poignant tale.

If you though classical music is poncey (and you’d mostly be right) this EP proves you can have your pop cake with classical icing and eat it.

It’s at times Schindler’s List meets Tom Waits.

In short it’s strikingly original, and while not always grabbing is well worth a listen.

Share this!

Comments

[wpdevart_facebook_comment curent_url="https://werk.re/2007/07/02/scott-matthews-passing-stranger/" order_type="social" title_text="" title_text_color="#000000" title_text_font_size="0" title_text_font_famely="Roboto Mono, monospace" title_text_position="left" width="100%" bg_color="#d4d4d4" animation_effect="random" count_of_comments="5" ]