We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Wow where did this come from? It’s Joanna Newsome singing Nick Cave’s future classics and its captivating and brilliant throughout. Shara Worden’s got that weird and rare ability to make everything seem life-changingly important, you just need to know what she says next, and more importantly how she says it.
The whole album’s a winner but the last four or five in particular are amazing. It’s hard to believe this is a debut album, it just feels so worked on and honed but rather than meaning that it’s lost all its energy and power by being too polished, the opposite is true.
Worden’s voice is the key (think Joanna Newsome mixed up with Anthony and the Johnsons). She twists ‘Dragonfly’ away from a basic, simple tune about escaping into a dark and cautionary tale of fear. ‘Magic Rabbit’, ‘The Good & The Bad Guy’ and ‘Something of an End’ are equally great.
This is the kind of album that should be up for the Mercury Prize every year (or the Shortlist, seeing as she’s American), it’s not massively original but its powerful, addictive and, unlike so much music right now, stays with you long after track eleven ends.
On ‘Disappear’ she sings, “One day I may go for the longest walk, don’t be too shocked ‘cause I get tired of sneaky societies and combat boots.” So she’s already hinting she’s getting tired of music after just one album, well best to go out on top I guess.