We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Relationships have always been at the core of music, the ability to recant a lesson learned or situation has been a powerful muse for every musician. It’s a fine line however, as Roberta Flack told us in “Killing me softly” sometimes other peoples problems can really drain you.
Sian has the ability to remove herself from a situation and dissect it with an honest and unflinching eye, songs like ‘Cruel heart’ covering new avenues and issues for both her and the band but for every success Kosheen have however ‘Damage’ is tainted with problems.
A promising opener ‘Damage’ is awash with street laboratory sounds that reverberate throughout the album, the song it’s self is interesting & inventive- softly & carefully executed; electronica and effects judiciously placed around the mix-more Massive attack, than and actual massive attack.
Moments that serve as crossroads throughout the record send it down roads that simply lead nowhere however-‘Guilt’s eighties slant doesn’t work and comes off irritating, the electronic effects on ‘Wish you were here’ feel tacked on, disturbing and holding back what could have been a very striking & moving piece.
‘Like a book’ has the feel of when Madonna tries to become relevant to another generation by adopting dance grooves-and fails and ‘Changes’ is akin to someone covering Annie Lennox and coming off worse.
Eventually the album trails off, disinterested in the stories it’s telling-the transitions between songs become like the moments before you fall asleep- unfocused and removed, which means you also potentially miss some of the better moments that are indeed present.
Ultimately ‘Damage’ commits one of the worst sins of all: it draws you in and then fails to engage you.