Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Paul Avion & The Par Avion Band - Paul Avion & The Par Avion Band
Album Review

Paul Avion & The Par Avion Band – Paul Avion & The Par Avion Band

Merging the instrumental and ambient slant of The Orb with a bubbly yet subtle push associated with the likes of The Feeling does seem a strange broth. In this case of Los Angeles’ Paul Avion and his low-key but effective backing band, it certainly has its charms. For ‘Ménage a Trois’, the inclusion of a coaxing femme element, emboldens the calming impact.

A vocal hold of the Neil Finn ilk reaches out through ‘Stand Up, Be A Man’ and it harks back to the days when pop music was expansive and relaxing.

‘New Years Eve 3005’, whilst giving the impression of a futurist NU Rave stomp, is indeed a calming, hushed percussion crunching folk/ambient/pop mould that allows Avion to give his vocals a mood instilling drag.

Tender, but life trodden messages are delivered through a relaxed gait. Avion gives off the impression that he is just about managing to stay a yard ahead of burdening worry.

www.myspace.com/paulavion

Share this!

Comments

[wpdevart_facebook_comment curent_url="https://werk.re/2008/03/02/paul-avion-the-par-avion-band-paul-avion-the-par-avion-band/" order_type="social" title_text="" title_text_color="#000000" title_text_font_size="0" title_text_font_famely="Roboto Mono, monospace" title_text_position="left" width="100%" bg_color="#d4d4d4" animation_effect="random" count_of_comments="5" ]