We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Truckers of Husk flex a muscle of such experimental might, that any kind of categorisation would be difficult and probably futile. Some would tag it as “math rock” but, frankly, this term is mainly bollocks.
On opening track, ‘The Odd Modern’, intricate guitars flow and swell into bulging crescendos of, well, noise. But good noise, noise that makes me want to watch ‘Escape to Victory’ and punch Sylvester Stallone in the balls. As the backdrop twists and rotates, stuttering breaks and pauses divide complex rhythms into crunching towers of sound. Occasionally, the EP produces seemingly effortless moments of looping beauty, such as the last minute of Cookie Cool and the Candy Mob, and comparisons with Mogwai are unavoidable. But these sit in perfect contrast with the epic moments of planet crushing power and raise them above any such lazy comparison. Perhaps the standout track is ‘Panther Party’ which sounds like the inside of the computer from Tron being run over by a car.