We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
With a name that should go no further than the bill of your local community festival, Hoover Manoeuvres appropriately specialise in the kind of do-goody acid-jazz-funk-dance that some well-meaning soul would want the neighbourhood teens to hear. Admittedly, songs of self-medication and phone sex dirty things up a little, but putting two social commentaries on one EP sticks in the craw.
Worst offender is Teach Them, which sounds like a bunch of youth support workers with a penchant for Goldfrapp and the Brand New Heavies. All “vibes” and “sisters and brothers”, it’s packed with platitudes about loving ourselves and living together, with the standard sinister references to men-in-suits and pawns-in-the-game. Don’t It Seem Like is just as abysmally right-on with its “What am I supposed to say to the next generation. This world doesn’t fill me with any kind of inspiration”.
Vocals are pretty uninspiring too, though on the nail for the genre – a sub Róisín Murphy with a nose-crinkling growl. File somewhere between “Disappointing Eurovision Entry” and “Lovebox Weekender Compilation CD”.