We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
The Laurel Collective are not ready to be pigeon-holed. Experimental? Check. Indie? Check. Pop? Who knows? Many boxes can be ticked to describe their genre, and this is one of the reasons why Double Six, the Domino Records’ independent offshoot label, must have snapped them up.
Their debut single, ‘Vuitton Blues’ shows plenty of potential. It seems less experimental than some of their other tracks, with some subtle synthes to begin, but buckets of pop bursts throughout. However, it is the vocals from Martin Sakutu and Bob Tollast that carry the track. The ever-pleasing background sound of the hand clap, as always, adds to the upbeat affair.
The track is harmonious, jaunty and an overall indie-pop pleasuredome, fully supporting the current buzz that surrounds The Laurel Collective.
B-side ‘Krypton Factor’ is decidedly slower, but nevertheless equally as interesting. It has more of an edge than its accompanying track, but shows their ambitions-and hopes-are quite rightly high for their upcoming album.