We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
This recipe is simple yet fun. All you need is:
2 tablespoons of Fatboy Slim
100 grams of Ibiza
1 teaspoon of William Orbit
1 chunk of old skool
2 heaped tablespoons of Daft Punk
Half a pint of Old Moby
All that together makes the latest Moby album. You will not be let down. It is phenomenal and has shown just how much Moby has moved on. For those that loved the classic subdued Moby sound, it is still here, only embedded in between some amazing dance tunes which wouldn’t go amiss in Ibiza this summer.
‘Ooh Yeah’ eases you into the album, a cool calm and collected track. ‘I Love To Move In Here’ is that obvious Ibiza chill-out anthem, perfect for listening to whilst watching the sunset. ‘257. Zero’ changes direction totally, offering a futuristic dance vibe, quite similar to a record Daft Punk would produce. ‘Everyday It’s 1989’ definitely takes us back to 1989 with that massive, soulful voice which could be mistaken for Blackbox and ‘Alice’ and ‘Hyenas’ provide that previous Moby sound most people are familiar with.
Of course Moby has his dance roots and this is him revisiting them. But for those who have previously opted not to buy Moby’s records as they are quite chilled out, the recipe above gives you an insight as to what to expect.
Result: a mouth-watering dance sponge cake.