We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Grr. Why, just why does such over-produced melodramatic saccharine-sweet music exist? Imagine Paolo Nutini’s overly-cutesy style with Chris Martin’s voice and all the emotion of a pop idol loser.
This is by-the-numbers singer-songwriter stuff, which will no doubt be lapped up by its desired demographic (i.e. ten-year-old girls, the people who choose the music in Starbucks, and Andrew Lloyd Webber). If you have any sense, you will know by now not to bother with Tom Baxter