Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

My Toys Like Me

With one of dance music’s unique new voices in Frances Noon, My Toys Like Me have fathomed their own distinctive brand of acidic disco-dub. From the House keys, to the sub-bass rolls of trip-hop and dub, to crunching synths and primitive drum’n’bass, through to the blissed out brass and organ of their downtime ballads, principal protagonists Lazlo Legezar and Frances Noon have concocted a heady post-dance brew.

The urgent club sounds crop up on album opener and lead single Superpowers, a two-fingers-to-authority romp through ‘My Toys’ twisted house; Barnaby, the bands underground touchstone; the rave-funk of Quiet Please and the ‘wonky’ bassline of Skylights. And while Lazlo delights in the re-invention of his dance music archives, Noon provides an endearingly bratish delivery to lyrics that veer from the confoundingly abstract, to the astonishingly blunt.

It is amidst the albums more ambient, organic moments that the true versatility of My Toys Like Me is revealed. The sinister dub and mariachi brass of All Over My Face, the fascinating storytelling of Sick Couple and Making Fire, and the adroit arrangement of production and organic sound on Bats and their Van Morrison cover Young Lovers.

My Toys Like Me's debut album is a genre colliding construction of new era Poptronica.

07/05/09 – INSTORE PHONICA
21/05/09 – QUEEN OF HOXTON
29/05/09 – FUZZ CLUB SHEFFIELD
30/05/09 – 93FT EAST
26/06/09 – GLASTONBURY FESTIVAL
28/06/09 – GLASTONBURY FESTIVAL

Share this!

Comments

[wpdevart_facebook_comment curent_url="https://werk.re/2009/05/01/my-toys-like-me/" order_type="social" title_text="" title_text_color="#000000" title_text_font_size="0" title_text_font_famely="Roboto Mono, monospace" title_text_position="left" width="100%" bg_color="#d4d4d4" animation_effect="random" count_of_comments="5" ]