Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Sanctum Review

Sanctum didn’t get a great reputation from the critics when it arrived in cinemas earlier this year. The story is based (very loosely) on true events, tells of a group of cave divers who become trapped after a storm hits and have to swim and climb into the unknown in order to get out.

The film then becomes a “pick them off one at a time” drama/thriller. Sure it isn’t hard to tell where the drama lies (In the father son relationship of our two leads). But it also isn’t hard to tell who is going to end up in a pickle next.

To be honest though the film is very serviceable. It doesn’t resort to monsters stalking them and relies solely on the human performances. Richard Roxburgh leads the way and portrays a very Logic orientated member of the group. His harsh decisions at times are shocking to those who would rather spend time emoting their worries; but he wastes no time in sorting facts in his head and simply moving on. It’s actually a pretty wonderful and strong character who we may not like, but have to appreciate when it comes to a life or death situation.

If there is one major criticism it is some of the effects used. I don’t know how these came across on the 3D screen, but on the small 2D screen they are pitiful. And that is probably the biggest complaint I have without having to think too hard about what else could be wrong. If you fancy a couple of hours in a cave with people in jeopardy without the presence of the supernatural or monsters then you could do a heck of a lot worse.

Sanctum’s rough ride in the press then can only do it favours for those who watch as it didn’t deserve that kind of a bashing.

Steven Hurst

Share this!

Comments

[wpdevart_facebook_comment curent_url="https://werk.re/2011/06/23/sanctum-review/" order_type="social" title_text="" title_text_color="#000000" title_text_font_size="0" title_text_font_famely="Roboto Mono, monospace" title_text_position="left" width="100%" bg_color="#d4d4d4" animation_effect="random" count_of_comments="5" ]