We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Arrow Video are at it again, this time with Argento’s early 70’s feature Cat O’ Nine Tails (The second in his ‘animal trilogy’).
This is another murder mystery feature from Argento. Our leading players are a crime journalist and a blind man who team up to solve a series of related murders. The first hour of this film are literally taken up with the murders and they come thick and fast. The killer may be fond of strangulation (and never pretty it is when it happens) – but we get a few more ingenious kills such as when one of the first victims is shoved in front of a train.
The film clearly demonstrates Argento’s growing confidence as a director (this was still only his second feature) and has some nice onscreen performances from the likes of James Franciscus and Karl Malden (as the reporter and the blind man).
As for the disc. The Blu-ray is obviously of better quality – yet it isn’t the best polish given to an Argento work. The extras are also on the minimal side. Sure enough we get the 3 15-25 minute interviews with the Argento, Luigi Cozzi and Sergio Martino as who have appeared on previous disc releases. The set also will come with another Alan jones booklet on the film, but no commentary this time though – which is a shame as I’m sure there is plenty to be said about this decent film. Worth adding to the collection on the film’s merits alone then.
Steven Hurst