Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

No longer rotten in Denmark?
Interviews

No longer rotten in Denmark?

“Christ man they’re the most rock and roll band here, and they don’t even have guitars.” This impression, first spouted by my half caked colleague at last year’s Sonic Visions festival in Luxembourg, goes a long way to summing up the band formerly known as Reptile & Retard. With their police scuffles and vigorous, almost nihilistic live sets, this might be one new artist worthy of the old and overused ‘rawk’ cliché tag.

Now known as Reptile Youth, band core Mads Damsgaard (Vocals) and Esben Valløe (Bass) have spent the last two years playing concerts everywhere from Tokyo to Berlin, they’ve toured China twice, and ‘did’ everything from small punk clubs to festivals like Roskilde and Iceland Airwaves.

The pair first met in childhood, the moment when their ‘ambivalent search for truth began’. “We went to school together and that moment just came,” Mads tells me. “To decide to put ourselves into a certain path, but it didn't necessarily come overnight. I remember listening The Beatles, Pink Floyd and Neil Young with my dad as a child. We always sang along while doing the dishes together. That is where my musical interest started, with a dirty knife in my hand.”

Fast-forward to 2012, both are still clutching that knife, metaphorically at least, and harder than ever by the sounds of things. Both Mads and Esben have seen big changes since they first met and through the development of the band – however the philosophical ‘goals’ and visions for their music remain intact.

“Life is a fucking dream,” Esben expands. “From the day you get born from a stranger to the day you die. And this band is too, you’re kidding yourself if you think anything else. It's been a strive for perfection – a perfect reflection of the war we have inside. It's been a perfect improvisation and an almost true connection with the source of creation.”

Mads takes over: “Obviously we have changed. But we would have regardless. That's maybe the only certain thing in life. It's one big exploration of yourself and we are getting closer to the core. But at the same time we are still the same, we still have the same friends and still spend our Sundays watching Twin Peaks and listening to records.”

I quiz both about the decision to alter their original name, which consequently I thought genius. Was it perhaps too offensive? “Offensive to whom? To some British fascist radio? Maybe?” offers Mads.

“We changed the name because it felt right,” he adds, the tone suggesting I had managed to avoid impertinence. “We have, as a band, gone through a lot of changes and we wanted to feel exactly right before releasing anything. Then when we got in contact with the producers Dave M. Allen (The Cure, Sisters of Mercy) and Marc Ralph (Hot Chip) and things suddenly started to go fast. Now, soon we will be releasing our debut album and it makes a perfect illusion of meaning. We needed to manifest and celebrate this with changing the name. Reptile Youth is a riot, a dream and a 21st century fuck you dadaism movement.”

A 21st century ‘fuck you’ is quite apt. They were also once deemed ‘so awesome’ despite not having even released a single track. And as awesome and as ‘fuck you’ that may be, there is an obvious need to have the band on record, surely?

Mads agrees. He says: “We have been lucky and had many (record label) offers. This made the decision a lot more difficult, to find someone we felt understood us the best. It’s hard to give to give good advice. And actually, who are anyone to give good advice? It's easy, but a shit load of work. We actually don't know. Our debut album will be out global on HFN Music this summer. Until now we haven't had a single release out, but now it's finally happening. It's a feeling of pure euphoric and being vulnerable.”

And hopefully punt a few of these albums? “Success is a term used by money eating pigs who tries to sell us empty lives,” asserts Mads. “You should know we will find a way to bring you down. We say quit your job, stop paying your debt and start rioting.”

I decide to wrap things up with both still in jovial mood, and end on a note both boys will surely bite at – one of a philosophical nature. Do either wish to provide some words of wisdom for young artists like themselves currently ‘out there’ applying their trade?

“Haha, we still don't believe in good advice. But let's test it,” says Mads. “Don't be afraid of your thoughts. Replace your doubt with patience. Keep dreaming. Did it work?”

Esben pipes up: “Be cool human beings. Work hard, but don't get a job. Keep dreaming…And don't believe in good advice. Not even the kind you get from people who don’t believe in good advice. Like us.”

link” rel=”external”>Reptile Youth@Sonic Visions 2011

Follow Ray Jackson on Twitter

Share this!

Comments

[wpdevart_facebook_comment curent_url="https://werk.re/2012/01/26/no-longer-rotten-in-denmark/" order_type="social" title_text="" title_text_color="#000000" title_text_font_size="0" title_text_font_famely="Roboto Mono, monospace" title_text_position="left" width="100%" bg_color="#d4d4d4" animation_effect="random" count_of_comments="5" ]