We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Reptar announced today that their debut full-length album, Body Faucet, will be released July 2nd on Lucky Number. Produced by Ben Allen (Animal Collective, Gnarls Barkley, Bombay Bicycle Club), Body Faucet is the follow up to the group's heralded debut EP Oblangle Fizz Y'all, which The Sunday Times praised as, “thrillingly good, off-kilter art pop”
Building on the infectious dance-driven melodies established by the band on Oblangle Fizz Y'all, Body Faucet finds the band delving deeper into world-music influences to compliment their unique blend of danceable and electro infused pop.
Opener and forthcoming single “Sebastian”, arrives on a cloud of floating synths before exploding into a full bodied afro-pop anthem, finding confidence and power in its lyrics about not fitting into the hetero-norm projected by society along the way. “Houseboat Babies” is glorious, sun-strafed pop, seemingly designed to be chanted at full volume at Summer festivals. “Ghost Bike” offers more reflection, with Ulicny singing, “hold me closer…please don’t let me go” over shimmering guitars and sighing keys, whilst “Three Shining Suns” is a lush yet sparse, broken hearted ballad; music for the morning after the night before. Over the course of 12 tracks, the band’s penchant for combining wit and articulation with a vibrant range of contrasting and often surprising musical directions coalesces into an astonishingly unique and cohesive peek into Reptar’s slanted and enchanted world.
Reptar are Graham Ulicny (Vocals, Guitar), William Kennedy (Keys), Ryan Engelberger (Bass) and Andrew McFarland (Drums) and have been likened to The Talking Heads, Animal Collective, Prince, and The Jackson 5.