We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Helen Boulding: The Innocents
Four years on from her crisp, well-crafted debut album, Sheffield’s Helen Boulding has found a digital skips and sacrifices some of her old crispness for a little more gruffness and a digital stride, ‘The Innocents’.
Song-crafting ability that sees a wandering digital lag, sturdy acoustic strumming and Boulding’s sincere, worrisome vocal stride, all builds up to a controlled, percussion shattering nudged chorus; the coup de grace being the flighty, stammering delivery of a mystically uplifting chorus:
“Whooo-ooo; we are the innocents, we have to give up making sense.”
On this evidence it won’t be long before the currently independent artist Helen Boulding starts to get the recognition that debut album ‘New Redress’ deserves.
Rating: 4/5