Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

My Glass World - Book One
Album Review

My Glass World – Book One

Clearly talented musicians, Jamie Telford and Dinah Beamish’s (My Glass World) album “Book One” opens with an air of polished craftsmanship and virtuosic ability. Most of the tracks rely on the combination of Telford’s piano and voice and Beamish’ sweeping cello lines and a combination of influences from classical and popular music worlds there is definite feel that these two musicians feed off each other’s creative input.

The title track is the first highlight, a melancholy affair, the lyrics conjuring images of life in a snow dome while the cello’s voice winds its way round the rest of the piece, like a comforting breeze. The album is made of factors I am often heavily preferential towards, dark moody songs, romantic strings and some really dirty piano chords (in a classical music sense, rather than a rock sense) and the album brings to mind some of David Sylvain’s (Japan) solo work, of which I am a big fan; however the album in general lacks, for me at least, a sense of any real emotional passion.

The songs, although lovely, peaceful and clearly born from talented minds, have no backbone to them and as a result create an album that is a collection of very similar songs that maybe you wouldn’t mind hearing if your car radio wouldn’t change station, whilst in a traffic jam, but offers very little to engage the listener, let alone arouse any emotions.

My Glass World need to start thinking outside their own pages and add something a little more individual and personal to their music.

Share this!

Comments

[wpdevart_facebook_comment curent_url="https://werk.re/2012/06/28/my-glass-world-book-one/" order_type="social" title_text="" title_text_color="#000000" title_text_font_size="0" title_text_font_famely="Roboto Mono, monospace" title_text_position="left" width="100%" bg_color="#d4d4d4" animation_effect="random" count_of_comments="5" ]