Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Trichotomy: Free Download and UK Dates
Concert News

Trichotomy: Free Download and UK Dates

Australian piano trio, Trichotomy really need no introduction. Over the course of two compelling, albums for Naim Jazz (2010’s Variations and 2011’s The Gentle War) they have carved out a reputation as one of the most exciting trios in contemporary jazz combining the lyricism of EST and the energy levels of The Bad Plus while nonetheless finding their own unique voice.

Trichotomy are pianist Sean Foran, percussionist John Parker and double bassist Patrick Marchisella. Inspired by a diverse range of influences from Aphex Twin to Vijay Iyer, and Jo hn Zorn to Tord Gustavsen, Trichotomy’s music combines a dense rhythmic focus with a refined melodic clarity. On their brilliant new album Fact Finding Mission the core trio is joined by Tunji Beier on percussion, Linsey Pollak on reeds, and guitarist James Muller allowing the band to draw on influences including elements from the European and Indian Folk traditions.

Fact Finding Mission shines with a bright vitality and an unbridled joy in music making. In many ways it’s the band’s most expansive recording but also one that really celebrates the unity of a band that have been playing together for 13 years. For Foran it’s the result in shifts in the lives of the band’s members: “It’s a big time of shift in our lives, there’s children in the lives of two of us (myself and Jo hn) and Pat the bass player is back studying – this time pure mathematics. The mood is one of positivity, and a sense of fun, happiness, and a general love of playing music together”. The album also captures what feels like a creative peak. 2012 has been completely about writing and recording new music. Trichotomy have worked with a multitude of different collaborators including DVA – a duo of percussion and reeds, a string quartet, a video artist and a jazz guitarist. These collaborations have inspired the band to write in new ways, be inspired by different artists and try new concepts for the trio and the way they interact with other musicians

The album opens with the upbeat and joyful Strom (meaning stream, current or flow), the catchy The Blank Canvas Part 1 features guitarist James Muller and enhances the albums sense of journey and movement as we set out on our Fact Finding Mission with the trio. The delicate, captivating Lullaby was written by Parker for his sons. The title track is the most abstract work on the album and utilizes samples, bowed distorted bass, a range of Chinese gongs and other sounds to achieve its chaotic effect. The second track on the album to be inspired by the band’s children, the playful Song For EV, was written for Foran’s daughter and has a delightful rhythmic suppleness. On Civil Unrest (featuring guitarist James Muller and percussionist Tunji Beier) angular melodies and abstract harmonies meld with spacious free improvisations. While The Brook is all about rhythm; contrasting the idea of a dark intense bass groove with a delicate sparse melody. The captivating, rhythmic The Blank Canvas Part 2 transports us through to the beautiful Brick By Brick, which features DVA (Tunji Beier on percussion and Linsey Pollak on reeds) and draws on Eastern European folk melodies alongside modern jazz harmonic movements and freely improvised elements. Pollak’s reeds weave in and out of the trio sounds with Beier’s percussion adding another layer of rhythmic complexity. Dense, but melodically clear, it’s a beautiful closer to the album with its sense of melodic finality and earthy folk ideas and it’s this blend of earthy rhythms, beautiful melodies and the freedom of jazz that makes Trichotomy’s Fact Finding Mission so worth joining!

Trichotomy: ‘Fact Finding Mission ‘ UK Tour 2013:

05/02 – Milton Keynes, The Stables
06/02 – London, Pizza Express Jazz
07/02 – Dorking, Watermill Jazz
08/02 – Bury St Edmunds, The Apex
09/02 – Southampton, Turner Sims
10/02 – Cardiff, Café Jazz
12/02 – Cornwall, St Ives Jazz Club
13/02 – Nottingham, Lakeside Arts Centre
14/02 – Leeds, 7 Arts
15/02 – Manchester, Matt n’ Phreds

Share this!

Comments

[wpdevart_facebook_comment curent_url="https://werk.re/2013/01/31/trichotomy-free-download-and-uk-dates/" order_type="social" title_text="" title_text_color="#000000" title_text_font_size="0" title_text_font_famely="Roboto Mono, monospace" title_text_position="left" width="100%" bg_color="#d4d4d4" animation_effect="random" count_of_comments="5" ]