We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
All This Dancin’ Around is the third album from the band described as “the loudest band in Antwerp”. But the real surprise here is that it shows a softer side to the Belgian rockers, as well as the heavy side that would be expected from the three piece. The album was produced by Greg Gordon in the famous Sound City studio in Los Angeles, and perhaps its varied nature reflects a new phase for Triggerfinger.
The big rockers are in there of course. The title track opens the album in some style with a powerful track that rises and falls several times, perhaps a prediction of the variety that is to come. Single release Let It Ride is a huge song with a wonderful driving bass line from Monsieur Paul and a massive anthemic chorus. Cherry has a similarly fast pace and a beat that drives it forward in the midst of a droning backdrop, while both Feed Me and Tuxedo see drummer Mario Goossens displaying real dexterity.
The lengthy and emotive Baby’s Got A Gun sitting at the centre of the album is quite superb. Vocalist Ruben Block extends his voice to hit some incredible high notes and creates real dramatic tension as the song stretches to eight minutes long over a ponderous bass line. And there are other diverse tracks too, like Love Lost In Love, where Block use tremolo heavy guitar to great effect as the bass growls and the drums pound.
There is even a Ray Charles cover in here – a bluesy interpretation of All Night Long with reverb heavy vocals that is almost unrecognisable. It Hasn’t Gone Away ends the album proper with a touch of psychedelia. This is another lengthy song, coming in at just under seven minutes, but it doesn’t feel overlong as the slow vocal drawl matches the instrumental pace. There are also three bonus acoustic tracks, the best of which is a reworking of Love Lost In Love, turning a powerful track into a much softer and more emotional one.
All This Dancin’ Around is perhaps not the album I would have expected Triggerfinger to produce. But its variety and experimentation shows that there is much more to this band than its hard rocking core sound. This is an ambitious album in its scope, and they are to be credited for that. In the main it works well, at times very well, and demonstrates a considerable talent from a band that clearly works hard to develop its music.
Venue: All This Dancin’ Around
Support Band: Dramatico Entertainment