We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
All in all, rather disappointing as an ‘Art of’ book. While there are challenges to creating a book about a live action film, this book is lacklustre by any standards.
With the backgrounds predominantly being CG, I would have thought there would be a wealth of pre-production material. Sketches of landscapes, ships, costumes are too few. The book is mainly stills from the finished film, its more a photographic diary of filming, which isn’t really what the focus of the book should be – I can watch the film for that. I would have loved to see more weapon design and perhaps a look at those people who forged the weapons for the film, prop masters and jewellery designers etc.
Saying all that there are six pages of extraordinary portraits at the back of the book, obviously taken by an accomplished photographer. It’s a shame they just didn’t take more photos of…stuff. It’s glossy with a muted palette and limited text so there’s a market they’re after, it’s just not for everyone.
Maliha Basak.