We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Even before getting our hands on Gnarwolves’ debut full-length, we knew it was going to be good. Why? Because EVERYONE (and we do mean EVERYONE) on our Twitter feed has been raving about it. From Jono Yates of Blitz Kids, to journalists from NME, Metal Hammer, Rock Sound and Team Rock Radio, everyone who’s had a chance to hear the album has been singing its praises.
Is it worth the hype? You’re damn right it is. With its plethora of feel-good, skatepunk-influenced tunes and its melodically aggressive riffage combined with frontman Thom Weeks’ heart-and-soul vocals, Gnarwolves’ first LP shows that the Brighton trio have hit upon a recipe for success.
Building on their distinctive sound, Gnarwolves’ debut album has proved their worth as a band. From the catchy hardcore-influences on ‘Flow’ to the brilliantly anthemic grooves of ‘Smoking Kills’, the record showcases the band’s versatility and affirms their ability to consistently deliver great songs; there is not a single ‘filler’ track here.
On standout track ‘Everything You Think You Know’, Thom Weeks and Charlie Piper sing about giving themselves to the scene – this is exactly what it feels like they’ve done on this record, and the scene has embraced them. With any luck, they’ll be receiving the recognition they deserve on upcoming tours and getting back everything they’ve given.
– Iqra Choudhry
Venue: Gnarwolves
Support Band: Big Scary Monsters Records