We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Glamour of The Kill’s latest release ‘After Hours’ begins with thundering grooves and a rousing chorus. The quartet, originally hailing from York, have been making a name for themselves since 2008 with their unique post-hardcore twist on 80s glam and party metal.
Having established themselves, and departed from their label, the band funded the EP via a Kickstarter campaign – this collection of songs is as much for the fans as it is for the band themselves. On their latest release, the band haven’t experimented much – the EP is a slightly grittier affair than the band’s sophomore album, but it seems the four-piece are choosing to stick to their winning formula of pop-rock hooks and 80s-metal-inspired riffage.
It’s a winning formula; fans of Escape The Fate and Papa Roach will have plenty to be happy about, as lead single ‘Out of Control’ features Jacoby Shaddix, and standout track ‘Earthquake’ blends the vocals of Davey Richmond and Craig Mabbitt.
The EP will do nothing for those who already detest the band’s sound (closer ‘Blood Drunk’ is another riff-heavy tune with an indulgent guitar solo) but newcomers to the EP may well be won over by its unerring catchiness, because it is a solid effort.
– Iqra Choudhry
Venue: After Hours
Support Band: Self Release