Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Film Reviews

Interstellar Soundtrack Review

Interstellar Hans Zimmer once again teams up with Christopher Nolan for another science fiction epic, this time with wormhole exploring Interstellar.

Anyone familiar with the back catalogue between these two will know about The Dark knight trilogy and notably also Inception.

Interstellar is much more low key in comparison to the two.  But there are instruments of choice that stand out. With Zimmer it could focus on guitar, or hammering drums, but here the key element is the organ. In fact it becomes very organ heavy when the music springs to life. But it is waiting for these bursts of energy early on that will test the casual listener.

There is also a ticking clock thematic that is important to the story itself and the plot mechanics of time. Anyone who has seen the film Watchmen might be familiar with the back story of Dr Manhattan – which is also organ heavy, and a short narrative that is told through time. There are strong parallels in that music that can be drawn with what Zimmer is doing here.

The music becomes a kaleidoscope of sound, ticking, humming, rising and swirling orchestral swells. It’s largely original from what Zimmer has produced in the past, but won’t be remembered beyond what it does mechanically. As a score it is strong and takes over where the film-makers want it to. As a casual listening piece it will be much more for the focussed listener and not the casual ear.

4 Stars

 

 

 

Steven Hurst

Share this!

Comments

[wpdevart_facebook_comment curent_url="https://werk.re/2014/11/25/interstellar-soundtrack-review/" order_type="social" title_text="" title_text_color="#000000" title_text_font_size="0" title_text_font_famely="Roboto Mono, monospace" title_text_position="left" width="100%" bg_color="#d4d4d4" animation_effect="random" count_of_comments="5" ]