We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
A fantastically expressive and effortlessly vast offering of dreamy electro pop today from Hannah Schneider, with the swirling flurry of icy new single ‘Wild Open’.
The track is taken from the Danish songwriter’s latest album Red Lines. Granddaughter of the famed violinist Alexander Schneider, a member of the celebrated Budapest String Quartet, Schneider has a history as intriguing as the complex and inviting pop that she lends her namesake to.
“I’m a total melody fanatic. I have favourite songs in every genre, from Robyn’s “Do You Really Love Me” to Joni Mitchells “A Case of You”. A good melody does the right thing at the right time. You have to be able to cover a whole landscape in three or four minutes. Every time a verse finishes, there’s got to be a little lift,” she explains.
On ‘Wild Open’ she artfully evokes a gentle, drifting snow on a crisp day via the medium of synthesizers, echoing bass and the crack of programmed drums painting an accurately beautiful and wintery aural landscape. Stunning.
Listen to ‘Wild Open’ here:
Red Lines is out now on Lojinx in the UK.