We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Arrow continue to put out titles from one of Italy’s best – and here now comes Five Dolls For An August Moon. Perhaps one of Mario Bava’s more “Agatha Christie” type of movies.
A group of people are stuck on an island together – arguments and business ensue and before you know it bodies start to slowly pile up. Who is doing it? Well if you’ve seen enough of these types of films you’ll get the gist.
Bava works hard on camera angles, shots as well as movement of the camera in his scenes. Right off the go there is a strong sexual and psychedelic feel to the film as we are introduced to a large portion of the cast in the opening scene. But it never manages to retain this strange feeling – instead opting for a rather age old tacky script. In fact the whole murder aspect of the film is so off camera that you wonder why they bothered at all. The whodunit simply becomes a waiting game with little to no tension built around the characters that remain, instead giving way to voyeurism.
It looks good enough for sure. The sound can sometimes be an issue – but this will also depend whether you are listening to it in Italian or English.
The extras are plentiful enough. Bava biographer Tim Lucas provides a commentary. There is an hour long look at the directors work (featuring various well extablished directors like Tim Burton and Joe Dante giving their two cents and it is hosted by British critic Mark Kermode who as always makes keen and well thought out observations even if his delivery is rather stale). Arrow are making good on their continued focus on Bava, and there is plenty more to go.
Steven Hurst