Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Helene Greenwood - Exquisitely Hopeless
Album Review

Helene Greenwood – Exquisitely Hopeless

The second album from London based songwriter Helene Greenwood marks something of a change of style. The slow and elegant songs of Exquisitely Hopeless exist on a dreamy and atmospheric musical pallet with real depth, very different from the folk – pop feel of 2013’s Collectible You. A more expansive backing though, created using a vast array of instruments, doesn’t detract from Greenwood’s light and almost ethereal vocals, which float over the music beautifully.

Exquisitely Hopeless is a concept album, following a woman living a confined domestic life who imagines what the world outside her own horizons could be like. The contrast between reality and imagination, confinement and freedom, gives the theme for eleven bold and sweeping tracks, perhaps best described as dream – pop. In places the keyboards create an almost ambient sound, at others the tome is more moody and led by some lovely bass work.

There are several good tracks on the album, although none truly stands out. Perhaps the nature of the story is best reflected by an even set of songs – and there is enough variety to avoid things ever settling into a rut.

The opening track, and recent single, This Is The News Today gives a strong introduction to the album’s themes. Dream Horses has a slow tempo and a dark undertone, speaking almost of nightmares. The music rises, Greenwood’s voice moving from a whisper to soar high before fading once more. Flat Roof House is an intriguing song, with time marked by a ticking underlying lovely organ work and stronger vocals cutting though the mix.

Madam Marina has a discordant feel that gives it a rather nice supernatural edge. The one cover on the album is a slowed down version of I Say A Little Prayer, the oft recorded Bacharach and David song originally written for Dionne Warwick. Greenwood’s version fits well into this album, her wide vocal range used to good effect. The dramatic closer Chorale sees the clear vocal take the lead, ending the album with a stylish track that builds to a big finish.

Exquisitely Hopeless shows Helene Greenwood to be a strong songwriter with some nice lyrical flourishes and also showcases her fine vocal work. Concept albums may be a rare breed in these days of individual downloads, but this one works well.

Venue: Exquisitely Hopeless
Support Band: Washaway Records

Share this!

Comments

[wpdevart_facebook_comment curent_url="https://werk.re/2016/11/25/helene-greenwood-exquisitely-hopeless/" order_type="social" title_text="" title_text_color="#000000" title_text_font_size="0" title_text_font_famely="Roboto Mono, monospace" title_text_position="left" width="100%" bg_color="#d4d4d4" animation_effect="random" count_of_comments="5" ]