We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
Honey Joy’s forthcoming album ‘II’ is out shortly – on 04 September – and today they’ve given a final taster of the record in the form of new track ‘Raising Boys’. Vocalist Meg Tinsley says it’s about: “Seeing the most wonderful soft and compassionate human-being raised to be a man. And toxic masculinity destroying them.”
With London indie punk label Everything Sucks behind them, Honey Joy have been blazing the DIY trail since they were 16 years old, releasing their self-titled debut album in 2017. ‘II’ was recorded at the sadly recently closed Music Land Studios in Haggerston, London with Simon Small (Black MIDI, Apologies, I Have None, Cult Dreams, The Front Bottoms) over a mere five days last year. “Our beloved pug dog Vinnie was on hand at each session to give creative advice to Simon when it was needed,” says guitarist (and Meg’s husband) Matt Tinsley.
With punk rock and indie pop influences combining in a cathartic swirl of sound and spirit, ‘II’ is a journey between the dark and the light. Meg wrote half the songs whilst signed-off sick from work due to her mental health and the other half when she was out the other side and on a mission of self love. It’s “an exploration of the places your mind can go and a narrative of my experiences during those times,” she says.